ART REVIEWS + ARTIST INTERVIEWS
Tattoo project Body Spells on surrendering to your subconscious / The Creative Independent
The Artist Reclaiming America’s Chinatowns to Fight Coronavirus Racism / Elephant
What a Socially Distant World Would Really Look Like, an Interview with Pelle Cass / Atlas Obscura
Joel Sternfeld’s American Prospects / The Brooklyn Rail
‘The Pencil Is a Key’ Exhibition Spotlights Artwork Created by Incarcerated People / Prism
Endurance Art and Music: Ragnar Kjartansson’s Circle of Death, Beauty and Time / I Care If You Listen
Everyone Is Kissing Tommy Kha / Interview
Telling the Story of Zimbabwe’s Subversive Creatives / Lit Hub
Inside Out and Upside Down: Tibor Kalman / Cooper Hewitt
Cover Art Cubism: Alvin Lustig / Cooper Hewitt
The Amazing Palais Bulles / Collecteurs
The Other Hans: A Conversation With Hans Waege / Collecteurs
Journey Into Vincent Ferrané’s Milky Way / Collecteurs
Housebound: Portraits from the Winter Garden / The Belgo Report
Flesh, blood, and everything nice, that’s what girls are made of / The Fine Print
The drama of being human: Mark Jenkins’ surreal installations / The Fine Print
The Artist Reclaiming America’s Chinatowns to Fight Coronavirus Racism / Elephant
What a Socially Distant World Would Really Look Like, an Interview with Pelle Cass / Atlas Obscura
Joel Sternfeld’s American Prospects / The Brooklyn Rail
‘The Pencil Is a Key’ Exhibition Spotlights Artwork Created by Incarcerated People / Prism
Endurance Art and Music: Ragnar Kjartansson’s Circle of Death, Beauty and Time / I Care If You Listen
Everyone Is Kissing Tommy Kha / Interview
Telling the Story of Zimbabwe’s Subversive Creatives / Lit Hub
Inside Out and Upside Down: Tibor Kalman / Cooper Hewitt
Cover Art Cubism: Alvin Lustig / Cooper Hewitt
The Amazing Palais Bulles / Collecteurs
The Other Hans: A Conversation With Hans Waege / Collecteurs
Journey Into Vincent Ferrané’s Milky Way / Collecteurs
Housebound: Portraits from the Winter Garden / The Belgo Report
Flesh, blood, and everything nice, that’s what girls are made of / The Fine Print
The drama of being human: Mark Jenkins’ surreal installations / The Fine Print